A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 30
... kind of truth , but a kind of good . The perception of the beautiful is related to knowledge , but by way of addition , " as its bloom is an addition to youth " ; it is not so much a kind of knowledge as a kind of delight . The ...
... kind of truth , but a kind of good . The perception of the beautiful is related to knowledge , but by way of addition , " as its bloom is an addition to youth " ; it is not so much a kind of knowledge as a kind of delight . The ...
Pagina 94
... kind ) the means too are general ( the portrayal , not of this individual act , but of an act of this sort ; not , as he himself puts it , what Alcibiades did , but what anybody of a certain kind would do ) . Sir Joshua Reynolds's idea ...
... kind ) the means too are general ( the portrayal , not of this individual act , but of an act of this sort ; not , as he himself puts it , what Alcibiades did , but what anybody of a certain kind would do ) . Sir Joshua Reynolds's idea ...
Pagina 96
... kind , differing somehow either in mental endow- ment or at least in the way they use their endowment from the ordinary persons who make up their audience . But this segregation of artists from ordinary human beings belongs to the ...
... kind , differing somehow either in mental endow- ment or at least in the way they use their endowment from the ordinary persons who make up their audience . But this segregation of artists from ordinary human beings belongs to the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision