A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 31
... knowledge , it would be wildly inferior to geometry . But if art , as such , is far removed from imitation , the Fine Arts , as ordered to Beauty , are related to imitation , in a way difficult enough to define . " Imitation is natural ...
... knowledge , it would be wildly inferior to geometry . But if art , as such , is far removed from imitation , the Fine Arts , as ordered to Beauty , are related to imitation , in a way difficult enough to define . " Imitation is natural ...
Pagina 84
... knowledge obtained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge of the universal ; of individual things or of the relations between them : it is , in fact , productive ...
... knowledge obtained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge of the universal ; of individual things or of the relations between them : it is , in fact , productive ...
Pagina 232
... knowledge of three - dimensional space . That bit of knowledge , I admit , is essential to the appreciation of many great works , since many of the most moving forms ever created are in three dimensions . To see a cube or a rhomboid as ...
... knowledge of three - dimensional space . That bit of knowledge , I admit , is essential to the appreciation of many great works , since many of the most moving forms ever created are in three dimensions . To see a cube or a rhomboid as ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision