A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 68
... labor of humanity , consisting as this labor does on the one hand in the destruction of physical and moral obstacles to the union of men , and on the other hand in establishing the principles common to all men which can and should unite ...
... labor of humanity , consisting as this labor does on the one hand in the destruction of physical and moral obstacles to the union of men , and on the other hand in establishing the principles common to all men which can and should unite ...
Pagina 464
... labor , the ideal of the all - round man , the vital link between freedom and esthetic activity - were eloquently voiced in the Letters On the Aesthetic Education of Man . But Marx , unlike Schiller , sought to ground these ideas on " a ...
... labor , the ideal of the all - round man , the vital link between freedom and esthetic activity - were eloquently voiced in the Letters On the Aesthetic Education of Man . But Marx , unlike Schiller , sought to ground these ideas on " a ...
Pagina 462
... labor , the ideal of the all - round man , the vital link between freedom and esthetic activity - were eloquently voiced in the Letters On the Aesthetic Education of Man . But Marx , unlike Schiller , sought to ground these ideas on “ a ...
... labor , the ideal of the all - round man , the vital link between freedom and esthetic activity - were eloquently voiced in the Letters On the Aesthetic Education of Man . But Marx , unlike Schiller , sought to ground these ideas on “ a ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision