A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 69
... language of the emotions has been widely held since Eugène Véron in 1878 declared that art is " the emotional ... language signifies in the phrase language of the emotions is therefore essentially medium of expression , and only ...
... language of the emotions has been widely held since Eugène Véron in 1878 declared that art is " the emotional ... language signifies in the phrase language of the emotions is therefore essentially medium of expression , and only ...
Pagina 208
... language , the medium of poetry , has its peculiarities and definite capacities precisely like the others . Here , I cannot but think , we are obliged to part company , with some re- gret , from Benedetto Croce . He is possessed , as so ...
... language , the medium of poetry , has its peculiarities and definite capacities precisely like the others . Here , I cannot but think , we are obliged to part company , with some re- gret , from Benedetto Croce . He is possessed , as so ...
Pagina 506
... language or parts of language . So you let yourself off the very part of the investigation that once gave you yourself most headache , the part about the general form of propositions and of language . ” And this is true . Instead of ...
... language or parts of language . So you let yourself off the very part of the investigation that once gave you yourself most headache , the part about the general form of propositions and of language . ” And this is true . Instead of ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision