A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 144
... latent content . . . . Dreams , then , contain a manifest and a latent con- tent . The manifest content is imagic phantasy , the latent content is affec- tive reality .... $ 4 Poetry , like dream , contains manifest and latent contents ...
... latent content . . . . Dreams , then , contain a manifest and a latent con- tent . The manifest content is imagic phantasy , the latent content is affec- tive reality .... $ 4 Poetry , like dream , contains manifest and latent contents ...
Pagina 145
... latent content of poetry is in that particular form of wording , and in no other . How is the latent content contained in the original words and not con- tained in the sense of the words — that is , in the portions of external reality ...
... latent content of poetry is in that particular form of wording , and in no other . How is the latent content contained in the original words and not con- tained in the sense of the words — that is , in the portions of external reality ...
Pagina 148
... manifest content . But the manifest content , what- ever it is , is not the purpose of the poem . The purpose is the specific emotional organization directed towards the manifest content and pro- vided by the released affects . The ...
... manifest content . But the manifest content , what- ever it is , is not the purpose of the poem . The purpose is the specific emotional organization directed towards the manifest content and pro- vided by the released affects . The ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision