A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 132
... least point out to you the path which leads from our discussion of daydreams to the problems of the effect produced on us by imaginative works . You will remember that we said the daydreamer hid his phantasies care- fully from other ...
... least point out to you the path which leads from our discussion of daydreams to the problems of the effect produced on us by imaginative works . You will remember that we said the daydreamer hid his phantasies care- fully from other ...
Pagina 287
... least the kind of expression that characterizes art . That is why artists , when they speak of achieving " form , " use the word with something of an abstract connotation , even when they are talking about a visible and tangible art ...
... least the kind of expression that characterizes art . That is why artists , when they speak of achieving " form , " use the word with something of an abstract connotation , even when they are talking about a visible and tangible art ...
Pagina 447
... least as compared with knives and typewriters . Because there are many human acts that may be called acts of promise - keeping , we can speak of general moral rules . But perhaps there are no genuine classes of aesthetic objects , such ...
... least as compared with knives and typewriters . Because there are many human acts that may be called acts of promise - keeping , we can speak of general moral rules . But perhaps there are no genuine classes of aesthetic objects , such ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision