A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 54
... less strict obedience to the same law . To it , point all those rules of artistic composition which pedantic ... less excited by special emotion . A work is beautiful when it bears strong marks of the individuality of its author , of the ...
... less strict obedience to the same law . To it , point all those rules of artistic composition which pedantic ... less excited by special emotion . A work is beautiful when it bears strong marks of the individuality of its author , of the ...
Pagina 66
... less sincerity ; and so forth , in all possi- ble degrees and combinations . Thus is art divided from what is not ... less kind and less necessary for the well - being of mankind being replaced by others kinder se and more needful for ...
... less sincerity ; and so forth , in all possi- ble degrees and combinations . Thus is art divided from what is not ... less kind and less necessary for the well - being of mankind being replaced by others kinder se and more needful for ...
Pagina 346
... less deliberately personify what we see . With children and primitives the separation between sentient and insentient is less sharp than with sophisticated adults . But in so far as the distinction is there we do not attribute emotions ...
... less deliberately personify what we see . With children and primitives the separation between sentient and insentient is less sharp than with sophisticated adults . But in so far as the distinction is there we do not attribute emotions ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision