A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 123
... lines 1224ff . 16. Zauberberg , as in the title of Thomas Mann's novel . 17. Fate . 18. An allusion to Homer's Odyssey , XI , lines 489ff . 19. Sparta . 20. In footnote 32 of his first polemic ( 1872 ) Wilamowitz said : " Whoever ex ...
... lines 1224ff . 16. Zauberberg , as in the title of Thomas Mann's novel . 17. Fate . 18. An allusion to Homer's Odyssey , XI , lines 489ff . 19. Sparta . 20. In footnote 32 of his first polemic ( 1872 ) Wilamowitz said : " Whoever ex ...
Pagina 229
... lines ; in most oil paintings the spaces are multi - col- ored and so are the boundaries ; you cannot imagine a boundary line without any content , or a content without a boundary line . Therefore , when I speak of significant form , I ...
... lines ; in most oil paintings the spaces are multi - col- ored and so are the boundaries ; you cannot imagine a boundary line without any content , or a content without a boundary line . Therefore , when I speak of significant form , I ...
Pagina 243
... lines express . Just as there the lines and their meaning are to you one thing , not two , so in poetry the meaning and the sounds are one : there is , if I may put it so , a resonant meaning , or a meaning resonance . If you read the ...
... lines express . Just as there the lines and their meaning are to you one thing , not two , so in poetry the meaning and the sounds are one : there is , if I may put it so , a resonant meaning , or a meaning resonance . If you read the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision