A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 170
... living personality , and are thought of as forming its perceived field . In truth , the field of perception and the perceiving mind are abstrac- tions which , in the concrete , combine into the successive bodily events . The ...
... living personality , and are thought of as forming its perceived field . In truth , the field of perception and the perceiving mind are abstrac- tions which , in the concrete , combine into the successive bodily events . The ...
Pagina 476
... living and that it grows weak when it is taken as luxury and entertainment and separated from the main stream of practical everyday contemporary living , is con- textualistically sound . And a corollary of this principle is that art is ...
... living and that it grows weak when it is taken as luxury and entertainment and separated from the main stream of practical everyday contemporary living , is con- textualistically sound . And a corollary of this principle is that art is ...
Pagina 462
... living in Switzerland , France , and America , this wandering scholar probed deeply into the meaning of art and its relation to Marxism . In an introduction to Raphael's posthumous book , The Demands of Art , Herbert Read writes : 465 ...
... living in Switzerland , France , and America , this wandering scholar probed deeply into the meaning of art and its relation to Marxism . In an introduction to Raphael's posthumous book , The Demands of Art , Herbert Read writes : 465 ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision