A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 397
... look at it , as for instance at a China ornament or a precious stone , and towards such even the most normal person adopts to some extent the artistic attitude of pure vision ab- stracted from necessity . ( Roger Fry , Vision and Design ...
... look at it , as for instance at a China ornament or a precious stone , and towards such even the most normal person adopts to some extent the artistic attitude of pure vision ab- stracted from necessity . ( Roger Fry , Vision and Design ...
Pagina 506
... look and see whether there is anything common to all . - For if you look at them you will not see some- thing that is common to all , but similarities , relationships , and a whole series of them at that . To repeat : don't think ...
... look and see whether there is anything common to all . - For if you look at them you will not see some- thing that is common to all , but similarities , relationships , and a whole series of them at that . To repeat : don't think ...
Pagina 524
... look for unity , and we also look for variety , for balance and movement . We attend to the formal interrelations and cross connections in the work , to its underlying structure . . . . Fifthly , this work is a representational painting ...
... look for unity , and we also look for variety , for balance and movement . We attend to the formal interrelations and cross connections in the work , to its underlying structure . . . . Fifthly , this work is a representational painting ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision