A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 260
... machine . To be sure , if well fashioned , a machine offers to the imagination a prophecy and premonition of the values in use , which is itself a delight , but , after all , its purpose is not realized except in actual use . And in use ...
... machine . To be sure , if well fashioned , a machine offers to the imagination a prophecy and premonition of the values in use , which is itself a delight , but , after all , its purpose is not realized except in actual use . And in use ...
Pagina 481
An Anthology Melvin Miller Rader. LEWIS MUMFORD The Esthetic Assimilation of the Machine In the arts , it is plain that the machine is an instrument with mani- fold and conflicting possibilities . It may be used to counterfeit older ...
An Anthology Melvin Miller Rader. LEWIS MUMFORD The Esthetic Assimilation of the Machine In the arts , it is plain that the machine is an instrument with mani- fold and conflicting possibilities . It may be used to counterfeit older ...
Pagina 489
... machine - made objects have been , for the most part , attempts to pervert the machine process in the interests of caste and pecuniary distinction . In money - ridden societies , where men play with poker chips instead of with economic ...
... machine - made objects have been , for the most part , attempts to pervert the machine process in the interests of caste and pecuniary distinction . In money - ridden societies , where men play with poker chips instead of with economic ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision