A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 144
... latent content . . . . Dreams , then , contain a manifest and a latent con- tent . The manifest content is imagic phantasy , the latent content is affec- tive reality .... $ 4 Poetry , like dream , contains manifest and latent contents ...
... latent content . . . . Dreams , then , contain a manifest and a latent con- tent . The manifest content is imagic phantasy , the latent content is affec- tive reality .... $ 4 Poetry , like dream , contains manifest and latent contents ...
Pagina 147
... manifest content of music , and they therefore obey not grammatical ( sub- jective ) but pseudo - mathematical ( objective ) laws : of course they are necessarily distorted or organized within the compass of those rules . In the same ...
... manifest content of music , and they therefore obey not grammatical ( sub- jective ) but pseudo - mathematical ( objective ) laws : of course they are necessarily distorted or organized within the compass of those rules . In the same ...
Pagina 148
... manifest content , or by the vividness of the affective coloring . To a poet who brings a new portion of external reality into the ambit of poetry , we feel more gratitude than to one who brings the old stale manifest contents . But the ...
... manifest content , or by the vividness of the affective coloring . To a poet who brings a new portion of external reality into the ambit of poetry , we feel more gratitude than to one who brings the old stale manifest contents . But the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision