A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 467
... material world , man subordinates semblance to ends of his own long before he allows it autonomous existence in the ideal realm of art . For this latter to happen a complete revolution in his whole way of feeling is required , without ...
... material world , man subordinates semblance to ends of his own long before he allows it autonomous existence in the ideal realm of art . For this latter to happen a complete revolution in his whole way of feeling is required , without ...
Pagina 462
... material world , man subordinates semblance to ends of his own long before he allows it autonomous existence in the ideal realm of art . For this latter to happen a complete revolution in his whole way of feeling is required , without ...
... material world , man subordinates semblance to ends of his own long before he allows it autonomous existence in the ideal realm of art . For this latter to happen a complete revolution in his whole way of feeling is required , without ...
Pagina 462
... material forces of production in society come in conflict with the existing relations of production , or - what is but a legal expression for the same thing - with the property relations within which they have been at work before . From ...
... material forces of production in society come in conflict with the existing relations of production , or - what is but a legal expression for the same thing - with the property relations within which they have been at work before . From ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision