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Pagina 132
We will not neglect to refer also to that class of imaginative work which must be
recognized not as spontaneous production, but as a refashioning of ready-made
material. Here, too, the writer retains a certain amount of independence, which ...
We will not neglect to refer also to that class of imaginative work which must be
recognized not as spontaneous production, but as a refashioning of ready-made
material. Here, too, the writer retains a certain amount of independence, which ...
Pagina 467
Chained as he is to the material world, man subordinates semblance to ends of
his own long before he allows it autonomous existence in the ideal realm of art.
For this latter to happen a complete revolution in his whole way of feeling is ...
Chained as he is to the material world, man subordinates semblance to ends of
his own long before he allows it autonomous existence in the ideal realm of art.
For this latter to happen a complete revolution in his whole way of feeling is ...
Pagina 473
At a certain stage of their development, the material forces of production in
society come in conflict with the existing relations of production, or — what is but
a legal expression for the same thing — with the property relations within which
they ...
At a certain stage of their development, the material forces of production in
society come in conflict with the existing relations of production, or — what is but
a legal expression for the same thing — with the property relations within which
they ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 4, illustrata |
| Editore | Holt, Rinehart and Winston, 1973 |
| ISBN | 0030017564, 9780030017568 |
| Lunghezza | 568 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |