A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 86
... matter , which the spirit can never apprehend in itself as simple matter . This it can only possess with form and in form , but postu- lates the notion of it as a mere limit . Matter , in its abstraction , is mecha- nism , passivity ...
... matter , which the spirit can never apprehend in itself as simple matter . This it can only possess with form and in form , but postu- lates the notion of it as a mere limit . Matter , in its abstraction , is mecha- nism , passivity ...
Pagina 87
... Matter , clothed and conquered by form , produces concrete form . It is the matter , the content , which differentiates one of our intuitions from another : the form is constant : it is spiritual activity , while matter is changeable ...
... Matter , clothed and conquered by form , produces concrete form . It is the matter , the content , which differentiates one of our intuitions from another : the form is constant : it is spiritual activity , while matter is changeable ...
Pagina 248
... matter : it springs from the creative impulse of a vague imaginative mass pressing for development and definition . If the poet already knew exactly what he meant to say , why should he write the poem ? The poem would in fact already be ...
... matter : it springs from the creative impulse of a vague imaginative mass pressing for development and definition . If the poet already knew exactly what he meant to say , why should he write the poem ? The poem would in fact already be ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision