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Pagina 87
between matter and form . These are not two acts of ours , opposed to one another ; but the one is outside us and assaults and sweeps us off our feet , while the other inside us tends to absorb and identify itself with that which is ...
between matter and form . These are not two acts of ours , opposed to one another ; but the one is outside us and assaults and sweeps us off our feet , while the other inside us tends to absorb and identify itself with that which is ...
Pagina 214
SUBJECT MATTER AND COMPOSITION So far we have been considering the mechanics of photographic seeing . Now let us see how this camera - vision applies to the fields of subject matter and composition . No sharp line can be drawn between ...
SUBJECT MATTER AND COMPOSITION So far we have been considering the mechanics of photographic seeing . Now let us see how this camera - vision applies to the fields of subject matter and composition . No sharp line can be drawn between ...
Pagina 248
Pure poetry is not the decoration of a preconceived and clearly defined matter : it springs from the creative impulse of a vague imaginative mass pressing for development and definition . If the poet already knew exactly what he meant ...
Pure poetry is not the decoration of a preconceived and clearly defined matter : it springs from the creative impulse of a vague imaginative mass pressing for development and definition . If the poet already knew exactly what he meant ...
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Sommario
THE MEANING OF ART | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract activity appear appreciation artist association beauty become body called character characteristic color common complete concept consider created criticism defined definition desire direct Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression fact feeling forces function give Greek hand human ideas imagination imitation important individual interest intuition kind language less lines living look material matter means merely mind movement nature necessary never object observe organic original painting particular pattern perceived perception person philosophical physical picture play pleasure poem poetry possible practical present principle problem produce pure question reality reason reference relation seems sense shape significance similar simply situation social sound speak structure style symbol theory things thought tion true truth understand unity whole