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Pagina 194
On the other, there are meanings which arise directly out of the use of the various
materials of the arts, with their symbolic ... Aesthetic meaning may be found, upon
analytic examination, to be derived in part from sources in life outside art.
On the other, there are meanings which arise directly out of the use of the various
materials of the arts, with their symbolic ... Aesthetic meaning may be found, upon
analytic examination, to be derived in part from sources in life outside art.
Pagina 247
But much more because in doing so I have also changed the meaning of Virgil's
line. What that meaning is / cannot say: Virgil has said it. But I can see this much,
that the translation conveys a far less vivid picture of the outstretched hands and
...
But much more because in doing so I have also changed the meaning of Virgil's
line. What that meaning is / cannot say: Virgil has said it. But I can see this much,
that the translation conveys a far less vivid picture of the outstretched hands and
...
Pagina 549
CHAPTER 9: EXPRESSIVENESS Aiken, Henry, "The Aesthetic Relevance of
Belief," JAAC 9 (1951). , "Some Notes Concerning the Aesthetic and the
Cognitive," JAAC 13 (1955). Aldrich, Virgil, "Pictorial Meaning and Picture
Thinking," Kenyan ...
CHAPTER 9: EXPRESSIVENESS Aiken, Henry, "The Aesthetic Relevance of
Belief," JAAC 9 (1951). , "Some Notes Concerning the Aesthetic and the
Cognitive," JAAC 13 (1955). Aldrich, Virgil, "Pictorial Meaning and Picture
Thinking," Kenyan ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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