A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 247
... meaning of Virgil's line . What that meaning is I cannot say : Virgil has said it . But I can see this much , that the translation conveys a far less vivid picture of the outstretched hands and of their remaining outstretched , and a ...
... meaning of Virgil's line . What that meaning is I cannot say : Virgil has said it . But I can see this much , that the translation conveys a far less vivid picture of the outstretched hands and of their remaining outstretched , and a ...
Pagina 248
... meaning . And this is the reason why such poems strike us as creations , not manufactures , and have the magical effect which mere decoration cannot produce . This is also the reason why , if we insist on asking for the meaning of such ...
... meaning . And this is the reason why such poems strike us as creations , not manufactures , and have the magical effect which mere decoration cannot produce . This is also the reason why , if we insist on asking for the meaning of such ...
Pagina 549
... Meaning and Picture Thinking , " Kenyon Review 5 ( 1943 ) . " Pictorial Meaning , Picture - Think- ing , and Wittgenstein's Theory of As- pects , " Mind 67 ( 1958 ) . Amyx , Clifford , " The Iconic Sign in Aes- thetics , " Journal of ...
... Meaning and Picture Thinking , " Kenyon Review 5 ( 1943 ) . " Pictorial Meaning , Picture - Think- ing , and Wittgenstein's Theory of As- pects , " Mind 67 ( 1958 ) . Amyx , Clifford , " The Iconic Sign in Aes- thetics , " Journal of ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision