A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 93
... means becoming conscious of it not merely as an instance of anger , but as this quite peculiar anger . Expressing it , we saw , has something to do with becoming conscious of it ; therefore , if being fully conscious of it means being ...
... means becoming conscious of it not merely as an instance of anger , but as this quite peculiar anger . Expressing it , we saw , has something to do with becoming conscious of it ; therefore , if being fully conscious of it means being ...
Pagina 94
... means too are general ( the portrayal , not of this individual act , but of an act of this sort ; not , as he himself puts it , what Alcibiades did , but what anybody of a certain kind would do ) . Sir Joshua Reynolds's idea of gen ...
... means too are general ( the portrayal , not of this individual act , but of an act of this sort ; not , as he himself puts it , what Alcibiades did , but what anybody of a certain kind would do ) . Sir Joshua Reynolds's idea of gen ...
Pagina 236
... means to phys- ical well - being , nor as an object associated with the intimate life of a family , nor as the place where some one sat saying things unforgettable , nor yet as a thing bound to the lives of hundreds of men and women ...
... means to phys- ical well - being , nor as an object associated with the intimate life of a family , nor as the place where some one sat saying things unforgettable , nor yet as a thing bound to the lives of hundreds of men and women ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision