A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 52
... ment preceded the manifestations of intellectual life by many centuries . The gratification , in esse or in posse , of either real or imaginary wants , is the cause of happiness , joy , pleasure , and of all the feelings connected with ...
... ment preceded the manifestations of intellectual life by many centuries . The gratification , in esse or in posse , of either real or imaginary wants , is the cause of happiness , joy , pleasure , and of all the feelings connected with ...
Pagina 474
... ment . If that be true of the mutual relations of different forms of art within the domain of art itself , it is far less surprising that the same is true of the relation of art as a whole to the general development of society . The ...
... ment . If that be true of the mutual relations of different forms of art within the domain of art itself , it is far less surprising that the same is true of the relation of art as a whole to the general development of society . The ...
Pagina 462
... ment . If that be true of the mutual relations of different forms of art within the domain of art itself , it is far less surprising that the same is true of the relation of art as a whole to the general development of society . The ...
... ment . If that be true of the mutual relations of different forms of art within the domain of art itself , it is far less surprising that the same is true of the relation of art as a whole to the general development of society . The ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision