A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 93
... mere anger : it is a peculiar anger , not quite like any anger that I ever felt before , and probably not quite like any anger I shall ever feel again . To become fully conscious of it means becoming conscious of it not merely as an ...
... mere anger : it is a peculiar anger , not quite like any anger that I ever felt before , and probably not quite like any anger I shall ever feel again . To become fully conscious of it means becoming conscious of it not merely as an ...
Pagina 359
... merely the thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experi- enced or merely imagined , have long since united together in our mind ...
... merely the thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experi- enced or merely imagined , have long since united together in our mind ...
Pagina 470
... merely make society possible , by letting one nature be curbed by another ; the ethical State can merely make it ( morally ) necessary , by subjecting the individual will to the general ; the aesthetic State alone can make it real ...
... merely make society possible , by letting one nature be curbed by another ; the ethical State can merely make it ( morally ) necessary , by subjecting the individual will to the general ; the aesthetic State alone can make it real ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision