A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 7
... Mind , whereas reason doth buckle and bow the Mind unto the Nature of things . " 8 Thus , a natural landscape is valued esthetically because it has certain qualities , but some other of its qualities will be quite indifferent or ...
... Mind , whereas reason doth buckle and bow the Mind unto the Nature of things . " 8 Thus , a natural landscape is valued esthetically because it has certain qualities , but some other of its qualities will be quite indifferent or ...
Pagina 28
... mind is not intuitive like the angelic mind : it can perceive , no doubt , but only on condition of abstracting and discoursing . In man only knowledge derived through the senses possesses fully the intuivity necessary for the ...
... mind is not intuitive like the angelic mind : it can perceive , no doubt , but only on condition of abstracting and discoursing . In man only knowledge derived through the senses possesses fully the intuivity necessary for the ...
Pagina 29
... Mind impressed upon the heart of the being created . All order and proportion , on the other hand , are the work of the mind . So , to say with the School- men that beauty is the splendor of form shining on the proportioned parts of ...
... Mind impressed upon the heart of the being created . All order and proportion , on the other hand , are the work of the mind . So , to say with the School- men that beauty is the splendor of form shining on the proportioned parts of ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision