A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 78
... moral discrimination , not because a privilege of exemption is accorded to it , but simply because moral discrimi- nation cannot be applied to art . An artistic image portrays an act morally praiseworthy or blameworthy ; but this image ...
... moral discrimination , not because a privilege of exemption is accorded to it , but simply because moral discrimi- nation cannot be applied to art . An artistic image portrays an act morally praiseworthy or blameworthy ; but this image ...
Pagina 179
... Moral and Esthetic Values Z.dist The relation between esthetic and moral judgments , between the spheres of the beautiful and the good , is close , but the distinction between them is important . One factor of this distinction is that ...
... Moral and Esthetic Values Z.dist The relation between esthetic and moral judgments , between the spheres of the beautiful and the good , is close , but the distinction between them is important . One factor of this distinction is that ...
Pagina 180
... moral attitude . And , correspondingly , the pleas- ant is never , as we have seen , the object of a truly moral injunction . Work and Play We have here , then , an important element of the distinction between esthetic and moral values ...
... moral attitude . And , correspondingly , the pleas- ant is never , as we have seen , the object of a truly moral injunction . Work and Play We have here , then , an important element of the distinction between esthetic and moral values ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision