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Pagina 78
praiseworthy or blameworthy; but this image, as image, is.neiibfir morally prais'
eworthy nor blameworthy. Not only is there no penal code that can condemn an
image to prison or to death, but no moral judgment, uttered by a rational person, ...
praiseworthy or blameworthy; but this image, as image, is.neiibfir morally prais'
eworthy nor blameworthy. Not only is there no penal code that can condemn an
image to prison or to death, but no moral judgment, uttered by a rational person, ...
Pagina 179
Esthetic and moral judgments are accordingly to be classed together~in
contrasTTb judgments intellectual; they are both judgments of value, while
intellectual judgments are judgments of fact. If the latter have any value. it is only
derivative, ...
Esthetic and moral judgments are accordingly to be classed together~in
contrasTTb judgments intellectual; they are both judgments of value, while
intellectual judgments are judgments of fact. If the latter have any value. it is only
derivative, ...
Pagina 180
The jvalues,_thenj_with which we here deal_are positive^ they were negative in
the sphere of morality. The uglyis hardly an ... And, correspondingly, the pleasant
is never, as we have seen, the object of a truly moral injunction. Work and PIay ...
The jvalues,_thenj_with which we here deal_are positive^ they were negative in
the sphere of morality. The uglyis hardly an ... And, correspondingly, the pleasant
is never, as we have seen, the object of a truly moral injunction. Work and PIay ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 4, illustrata |
| Editore | Holt, Rinehart and Winston, 1973 |
| ISBN | 0030017564, 9780030017568 |
| Lunghezza | 568 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |