A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 69
Pagina 229
... move me , and A , D , E , F the works that move you , it may well be that x is the only quality believed by either of us to be common to all the works in his list . We may all agree about es- thetics , and yet differ about particular ...
... move me , and A , D , E , F the works that move you , it may well be that x is the only quality believed by either of us to be common to all the works in his list . We may all agree about es- thetics , and yet differ about particular ...
Pagina 231
... move us in a particular way , I willingly join hands with those who prefer to give a different name to the same thing . The hypothesis that significant form is the essential quality in a work of art has at least one merit denied to many ...
... move us in a particular way , I willingly join hands with those who prefer to give a different name to the same thing . The hypothesis that significant form is the essential quality in a work of art has at least one merit denied to many ...
Pagina 235
... move most of us in at all the same way as a work of art moves us . It is beautiful form , but it is not significant form . It moves us , but it does not move us esthetically . It is tempting to explain the difference between ...
... move most of us in at all the same way as a work of art moves us . It is beautiful form , but it is not significant form . It moves us , but it does not move us esthetically . It is tempting to explain the difference between ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision