A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 300
... movement is apprehended through the eye it takes place , so to speak , within a static framework , and the psychological impact of this framework is much more powerful than that of the vibrations which occur within its limits . For our ...
... movement is apprehended through the eye it takes place , so to speak , within a static framework , and the psychological impact of this framework is much more powerful than that of the vibrations which occur within its limits . For our ...
Pagina 301
... movement , which I have called its expressive essence ; and it is easy to trace our primary musical responses to the most primitive movement of our being - to those move- ments which are indeed at the very basis of animate existence ...
... movement , which I have called its expressive essence ; and it is easy to trace our primary musical responses to the most primitive movement of our being - to those move- ments which are indeed at the very basis of animate existence ...
Pagina 483
... movement yet affected by it , contemptu- ous but half - convinced , made an effort to retrieve his position by attempt- ing to copy mechanically the dead forms of art he found in the museum . So far from gaining from the handicrafts ...
... movement yet affected by it , contemptu- ous but half - convinced , made an effort to retrieve his position by attempt- ing to copy mechanically the dead forms of art he found in the museum . So far from gaining from the handicrafts ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision