Dall'interno del libro
Risultati 1-3 di 83
Pagina 474
Is the view of nature and of social relations which shaped Greek imagination and
Greek [art] possible in the age of automatic machinery, and railways, and
locomotives, and electric telegraphs? Where does Vulcan come in as against
Roberts ...
Is the view of nature and of social relations which shaped Greek imagination and
Greek [art] possible in the age of automatic machinery, and railways, and
locomotives, and electric telegraphs? Where does Vulcan come in as against
Roberts ...
Pagina 497
An even more serious deficiency is the attitude towards nature and man which
developed from the same source and of which our economic model is only one
manifestation. The early men who were our ancestors wielded much the same
scale ...
An even more serious deficiency is the attitude towards nature and man which
developed from the same source and of which our economic model is only one
manifestation. The early men who were our ancestors wielded much the same
scale ...
Pagina 499
For me the indictment of city, suburb, and countryside becomes comprehensible
in terms of the attitudes to nature that society has and does espouse. These
environmental degradations are the inevitable consequence of such views. It is
not ...
For me the indictment of city, suburb, and countryside becomes comprehensible
in terms of the attitudes to nature that society has and does espouse. These
environmental degradations are the inevitable consequence of such views. It is
not ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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