A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 377
... nature , never pretends to be nature and strongly resists any confusion with nature . It emphasizes the art - character of Art : " artistic " is synonymous with " anti- realistic " ; it explains even sometimes a very marked degree of ...
... nature , never pretends to be nature and strongly resists any confusion with nature . It emphasizes the art - character of Art : " artistic " is synonymous with " anti- realistic " ; it explains even sometimes a very marked degree of ...
Pagina 378
... nature , her wealth of suggestion , her delicacy of workmanship , for the steadfastness of her guidance , only produce upon the public the impression that Art is , after all , an imitation of nature . Then how can it be anti- realistic ...
... nature , her wealth of suggestion , her delicacy of workmanship , for the steadfastness of her guidance , only produce upon the public the impression that Art is , after all , an imitation of nature . Then how can it be anti- realistic ...
Pagina 497
... nature it is clear that they were confirmed in Judaism . The emergence of monotheism had as its corollary the rejection of nature ; the affirmation of Jehovah , the God in whose image man was made , was also a declaration of war on nature ...
... nature it is clear that they were confirmed in Judaism . The emergence of monotheism had as its corollary the rejection of nature ; the affirmation of Jehovah , the God in whose image man was made , was also a declaration of war on nature ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision