A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 448
... necessary or sufficient conditions of goodness.10 That no single feature is sufficient I am prepared to grant at once . That there is no necessary feature I am not prepared to grant without qualification : for example , I have argued ...
... necessary or sufficient conditions of goodness.10 That no single feature is sufficient I am prepared to grant at once . That there is no necessary feature I am not prepared to grant without qualification : for example , I have argued ...
Pagina 510
... necessary and sufficient properties of what is being defined , where the statement purports to be a true or false claim about the essence of art , what characterizes and distinguishes it from everything else . Each of the great theories ...
... necessary and sufficient properties of what is being defined , where the statement purports to be a true or false claim about the essence of art , what characterizes and distinguishes it from everything else . Each of the great theories ...
Pagina 513
... necessary and sufficient properties of that which has no necessary and sufficient properties , to conceive the concept of art as closed when its very use reveals and demands its openness . The problem with which we must begin is not ...
... necessary and sufficient properties of that which has no necessary and sufficient properties , to conceive the concept of art as closed when its very use reveals and demands its openness . The problem with which we must begin is not ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision