A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 253
... never absent from balance , for even in symme- try , where the balancing elements are alike , the directions of these ele- ments are opposed , right and left . But contrast is never by itself esthetically satisfactory , for the ...
... never absent from balance , for even in symme- try , where the balancing elements are alike , the directions of these ele- ments are opposed , right and left . But contrast is never by itself esthetically satisfactory , for the ...
Pagina 260
... never fulfilled in the machine itself as an object to be contemplated , as the wish is satisfied with art , but only through the use of the machine . To be sure , if well fashioned , a machine offers to the imagination a prophecy and ...
... never fulfilled in the machine itself as an object to be contemplated , as the wish is satisfied with art , but only through the use of the machine . To be sure , if well fashioned , a machine offers to the imagination a prophecy and ...
Pagina 433
... never known whether they will occur or not . We can always state the conditions under which events will happen ; that they will happen is never certain . If one prefer the jargon of the schools , the what is intelligible , not the that ...
... never known whether they will occur or not . We can always state the conditions under which events will happen ; that they will happen is never certain . If one prefer the jargon of the schools , the what is intelligible , not the that ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision