A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 138
... novel which it is vital to grasp . In the novel too the subjective elements are valued for themselves and rise to view , but in a different way . The novel blots out external reality by substituting a more or less consistent mock ...
... novel which it is vital to grasp . In the novel too the subjective elements are valued for themselves and rise to view , but in a different way . The novel blots out external reality by substituting a more or less consistent mock ...
Pagina 141
... novel - already explained - this movement is expressed in different ways in poetry and in the novel . Poetry concentrates on the immediate affective associations of the word , instead of going first to the object or entity symbolized by ...
... novel - already explained - this movement is expressed in different ways in poetry and in the novel . Poetry concentrates on the immediate affective associations of the word , instead of going first to the object or entity symbolized by ...
Pagina 515
... novel engendered . " Is N + 1 a novel ?, " then , is no factual , but rather a decision problem , where the verdict turns on whether or not we enlarge our set of conditions for applying the concept . What is true of the novel is , I ...
... novel engendered . " Is N + 1 a novel ?, " then , is no factual , but rather a decision problem , where the verdict turns on whether or not we enlarge our set of conditions for applying the concept . What is true of the novel is , I ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision