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Pagina 385
For this belief there is a quantity of evidence. In the greatest age of painting, the
nude inspired the greatest works; and even when it ceased to be a compulsive
subject it held its position as an academic exercise and a demonstration of
mastery ...
For this belief there is a quantity of evidence. In the greatest age of painting, the
nude inspired the greatest works; and even when it ceased to be a compulsive
subject it held its position as an academic exercise and a demonstration of
mastery ...
Pagina 388
An Anthology Melvin Miller Rader. men were surrounded by representations of
the nude more numerous and, alas, infinitely more splendid than any that have
come down to us. As late as the tenth century the Knidian Aphrodite of Praxiteles,
...
An Anthology Melvin Miller Rader. men were surrounded by representations of
the nude more numerous and, alas, infinitely more splendid than any that have
come down to us. As late as the tenth century the Knidian Aphrodite of Praxiteles,
...
Pagina 392
Nemesis onward, is a proof that the idea of the nude does not depend on
analyzable proportions alone. And yet when we look at the splendidly
schematized bodies of Greek sculpture, we cannot resist the conviction that some
system did exist.
Nemesis onward, is a proof that the idea of the nude does not depend on
analyzable proportions alone. And yet when we look at the splendidly
schematized bodies of Greek sculpture, we cannot resist the conviction that some
system did exist.
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 4, illustrata |
| Editore | Holt, Rinehart and Winston, 1973 |
| ISBN | 0030017564, 9780030017568 |
| Lunghezza | 568 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |