A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 385
... nude inspired the greatest works ; and even when it ceased to be a compulsive subject it held its position as an academic exercise and a demonstration of mastery . Velásquez , living in the prudish and corseted court of Philip IV and ...
... nude inspired the greatest works ; and even when it ceased to be a compulsive subject it held its position as an academic exercise and a demonstration of mastery . Velásquez , living in the prudish and corseted court of Philip IV and ...
Pagina 387
... nude as a subject for art is that these instincts cannot lie hidden , as they do , for example , in our enjoyment of a piece of pottery , thereby gaining the force of sublimation , but are dragged into the fore- ground , where they risk ...
... nude as a subject for art is that these instincts cannot lie hidden , as they do , for example , in our enjoyment of a piece of pottery , thereby gaining the force of sublimation , but are dragged into the fore- ground , where they risk ...
Pagina 392
... nude does not depend on analyzable proportions alone . And yet when we look at the splendidly schematized bodies of Greek sculpture , we cannot resist the conviction that some system did exist . Almost every artist or writer on art who ...
... nude does not depend on analyzable proportions alone . And yet when we look at the splendidly schematized bodies of Greek sculpture , we cannot resist the conviction that some system did exist . Almost every artist or writer on art who ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision