A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 187
... object which in itself might have been indiffer- ent , is here patent and acknowledged . The distinctness of the analysis may indeed be so great as to prevent the synthesis ; we may so entirely pass to the suggested object , that our ...
... object which in itself might have been indiffer- ent , is here patent and acknowledged . The distinctness of the analysis may indeed be so great as to prevent the synthesis ; we may so entirely pass to the suggested object , that our ...
Pagina 400
... Object Several other attempts to distinguish the aesthetic way of looking at the world from all others have been suggested , either by reference to the atti- tude itself or by restricting the kind of objects toward which the attitude ...
... Object Several other attempts to distinguish the aesthetic way of looking at the world from all others have been suggested , either by reference to the atti- tude itself or by restricting the kind of objects toward which the attitude ...
Pagina 476
... object of production from man , it also takes away his species - life , his real objectivity as a species - being , and changes his advantage over animals into a disad- vantage in so far as his inorganic body , nature , is taken from ...
... object of production from man , it also takes away his species - life , his real objectivity as a species - being , and changes his advantage over animals into a disad- vantage in so far as his inorganic body , nature , is taken from ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision