A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 173
... objectified pleasure . By " objectification " he means the process of imputing some subjective quality to an object , as when we speak of a nasty snow storm or a lonely place . Nothing is more natural and primitive than thus to project ...
... objectified pleasure . By " objectification " he means the process of imputing some subjective quality to an object , as when we speak of a nasty snow storm or a lonely place . Nothing is more natural and primitive than thus to project ...
Pagina 184
... objectified feelings . It becomes , like them , a qual- ity of the object , which we distinguish from pleasures not so incorporated in the perception of things , by giving it the name of beauty . The Definition of Beauty We have now ...
... objectified feelings . It becomes , like them , a qual- ity of the object , which we distinguish from pleasures not so incorporated in the perception of things , by giving it the name of beauty . The Definition of Beauty We have now ...
Pagina 367
... objectified self - enjoyment , " we are at once aware of the polar opposition between these two forms of esthetic enjoyment [ that is , abstraction and empathy ] . On the one hand , the I as a disturbing force , an obstacle to the ...
... objectified self - enjoyment , " we are at once aware of the polar opposition between these two forms of esthetic enjoyment [ that is , abstraction and empathy ] . On the one hand , the I as a disturbing force , an obstacle to the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision