A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 331
... observation , or introspection , and outer observation . “ Psychic facts " -anger or fear , for example - could be directly known only from the inside and by the person experiencing them . It was thought to be self- evident that I can ...
... observation , or introspection , and outer observation . “ Psychic facts " -anger or fear , for example - could be directly known only from the inside and by the person experiencing them . It was thought to be self- evident that I can ...
Pagina 455
... observe that this character is derived from a fusion of the characters of the details interrelated within the stanza . Just single out the image of the bird poised in the shaft of light . That is a remarkably clear - cut unity . But see ...
... observe that this character is derived from a fusion of the characters of the details interrelated within the stanza . Just single out the image of the bird poised in the shaft of light . That is a remarkably clear - cut unity . But see ...
Pagina 525
... observe , and study it . Its goodness , however , is not claimed to be related to its first , third , or fifth characteristics : in other words , Professor Ziff is apparently not claiming that the goodness of this particular work of art ...
... observe , and study it . Its goodness , however , is not claimed to be related to its first , third , or fifth characteristics : in other words , Professor Ziff is apparently not claiming that the goodness of this particular work of art ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision