A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 13
... organic unity of value - expressive constituents . The constituents include representations , connotations , and purely sensuous materials , and there is almost no value that cannot be represented , connoted , or sensuously presented ...
... organic unity of value - expressive constituents . The constituents include representations , connotations , and purely sensuous materials , and there is almost no value that cannot be represented , connoted , or sensuously presented ...
Pagina 363
... organic life , that is , to naturalism in the higher sense . The feeling of happiness , which is revived in us by the expression of organic vitality , what modern man calls beauty , is a satisfaction of that inner need of self ...
... organic life , that is , to naturalism in the higher sense . The feeling of happiness , which is revived in us by the expression of organic vitality , what modern man calls beauty , is a satisfaction of that inner need of self ...
Pagina 490
... organic environment just those elements that could be stated in abstract geometrical symbols : they transposed and readjusted the contents of vision as freely as the inventor readjusted organic functions : they even created on canvas or ...
... organic environment just those elements that could be stated in abstract geometrical symbols : they transposed and readjusted the contents of vision as freely as the inventor readjusted organic functions : they even created on canvas or ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision