A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 143
... organization ; biology demands that we go first to the concrete objects , and only then to their rational organiza- tion . Poetry passes straight from the word to the affective organization , careless of the reality whose relation it ...
... organization ; biology demands that we go first to the concrete objects , and only then to their rational organiza- tion . Poetry passes straight from the word to the affective organization , careless of the reality whose relation it ...
Pagina 167
... organization . I call the organization dynamic because it takes time to com- plete it , because it is a growth . There are inception , development , fulfill- ment . Material is ingested and digested through interaction with that vital ...
... organization . I call the organization dynamic because it takes time to com- plete it , because it is a growth . There are inception , development , fulfill- ment . Material is ingested and digested through interaction with that vital ...
Pagina 266
... organization is the primal law of structure , and I suppose it , even where my imperfect light cannot trace it , unless embellishment can be demon- strated . Since the tints as well as the forms of plants and flowers are shown to have ...
... organization is the primal law of structure , and I suppose it , even where my imperfect light cannot trace it , unless embellishment can be demon- strated . Since the tints as well as the forms of plants and flowers are shown to have ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision