A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 56
Pagina 412
... original creative process . Nevertheless , although a corrected or revised version of a painting or a poem may ... original intention better than the original version does , this original version still is the work of art ( or part of it ) ...
... original creative process . Nevertheless , although a corrected or revised version of a painting or a poem may ... original intention better than the original version does , this original version still is the work of art ( or part of it ) ...
Pagina 414
... original , then , however justifi- able its performance may be , it cannot be regarded as Handel's Messiah tout court , but must be thought of as Handel's Messiah arranged by any or all of Mozart , Prout and Sargent . But wherever we ...
... original , then , however justifi- able its performance may be , it cannot be regarded as Handel's Messiah tout court , but must be thought of as Handel's Messiah arranged by any or all of Mozart , Prout and Sargent . But wherever we ...
Pagina 417
... original direction , going not only from the text to the individual , but from the individual to the social group of which he forms part . For when we look at them more closely the difficulties raised both by a consideration of the text ...
... original direction , going not only from the text to the individual , but from the individual to the social group of which he forms part . For when we look at them more closely the difficulties raised both by a consideration of the text ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision