A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 80
... ourselves , allowing images to follow one another in our memory , or combining them in quaint forms with the aid of the imagination , in a sort of waking sleep , from which we rouse ourselves as soon as we are rested ; and we sometimes ...
... ourselves , allowing images to follow one another in our memory , or combining them in quaint forms with the aid of the imagination , in a sort of waking sleep , from which we rouse ourselves as soon as we are rested ; and we sometimes ...
Pagina 192
... ourselves : there with the supervening consciousness of safety or indifference comes a rebound , and we have that emotion of detachment and liberation in which the sublime really consists . Thoughts and actions are properly sublime ...
... ourselves : there with the supervening consciousness of safety or indifference comes a rebound , and we have that emotion of detachment and liberation in which the sublime really consists . Thoughts and actions are properly sublime ...
Pagina 194
... ourselves ; we can so feel the fascination of the cosmic forces that engulf us as to take a fierce joy in the thought of our own destruction . We can identify ourselves with the abstractest essence of reality , and , raised to that ...
... ourselves ; we can so feel the fascination of the cosmic forces that engulf us as to take a fierce joy in the thought of our own destruction . We can identify ourselves with the abstractest essence of reality , and , raised to that ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision