A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 89
... painter is a painter , because he sees what others only feel or catch a glimpse of , but do not see . We think we see a smile , but in reality we have only a vague impression of it , we do not perceive all the character- istic traits of ...
... painter is a painter , because he sees what others only feel or catch a glimpse of , but do not see . We think we see a smile , but in reality we have only a vague impression of it , we do not perceive all the character- istic traits of ...
Pagina 90
... painter possess of the intuitions of a poet ! And how little does one painter possess those of another painter ! Neverthe- less , that little is all our actual patrimony of intuitions or representations . Beyond these are only ...
... painter possess of the intuitions of a poet ! And how little does one painter possess those of another painter ! Neverthe- less , that little is all our actual patrimony of intuitions or representations . Beyond these are only ...
Pagina 409
... painter may have splashed some paint on to his canvas without noticing it ; but even here one could hardly ignore this if the painter had let the work go without cleaning it off ) . It is worth noticing that the predicates " intentional ...
... painter may have splashed some paint on to his canvas without noticing it ; but even here one could hardly ignore this if the painter had let the work go without cleaning it off ) . It is worth noticing that the predicates " intentional ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision