A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 524
... painting is or was exhibited in a museum gallery where people do contemplate , study , ob- serve , admire , criticize , and discuss it . What I wish to refer to here by speaking of contemplating , studying , and observing a painting ...
... painting is or was exhibited in a museum gallery where people do contemplate , study , ob- serve , admire , criticize , and discuss it . What I wish to refer to here by speaking of contemplating , studying , and observing a painting ...
Pagina 525
... painting to its fourth characteristic : the fact that it is a good painting is , he holds , related to the characteristics which we find that it possesses when we contemplate , observe , and study it . Its goodness , however , is not ...
... painting to its fourth characteristic : the fact that it is a good painting is , he holds , related to the characteristics which we find that it possesses when we contemplate , observe , and study it . Its goodness , however , is not ...
Pagina 526
... painting contribute to its goodness . And I should suppose that they are also included in what Professor Ziff calls the sixth characteristic of the Poussin painting , namely its " complex formal structure . " Thus , presumably , the ...
... painting contribute to its goodness . And I should suppose that they are also included in what Professor Ziff calls the sixth characteristic of the Poussin painting , namely its " complex formal structure . " Thus , presumably , the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision