A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 71
... particular next step , and rules out particular others which a different composer might have preferred . This process of inspiration - creation - contemplation - judgment and correc- tion or approval is repeated again and again until ...
... particular next step , and rules out particular others which a different composer might have preferred . This process of inspiration - creation - contemplation - judgment and correc- tion or approval is repeated again and again until ...
Pagina 411
... particular feature of the work to contribute to the whole ? But although answers to these questions may be ... particular shape and colour in this particular place ? " or " Why did the dramatist introduce this particular character ...
... particular feature of the work to contribute to the whole ? But although answers to these questions may be ... particular shape and colour in this particular place ? " or " Why did the dramatist introduce this particular character ...
Pagina 508
... particular spot . And this is just how one might explain to someone what a game is . One gives examples and intends them to be taken in a particular way . I do not , however , mean by this that he is supposed to see in those examples ...
... particular spot . And this is just how one might explain to someone what a game is . One gives examples and intends them to be taken in a particular way . I do not , however , mean by this that he is supposed to see in those examples ...
Sommario
THE MEANING OF ART | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract activity appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce called character characteristic Clive Bell color complete concept concrete consciousness contemplation contextualist criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human Ian McHarg ideas imagination imitation impulse individual intuition intuitive knowledge kind language look Lucien Goldmann Ludwig Wittgenstein machine material means ment mind Morris Weitz nature object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry principle produce psychology pure R. G. Collingwood reality reason relation rhythm Rudolf Arnheim sensation sense sensuous shape significance social sound species-being structure style symbol taste theory things tion tragedy unity visual vivid whole words world vision