A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 70
Pagina 220
... pattern ; and although temporal spread is as necessary a condition of music as spa- tial spread is of painting , it seems at least fair to say that the relative emphasis on the intrinsic nature of sound in music as distinguished from ...
... pattern ; and although temporal spread is as necessary a condition of music as spa- tial spread is of painting , it seems at least fair to say that the relative emphasis on the intrinsic nature of sound in music as distinguished from ...
Pagina 321
... pattern of shape and colour in that this pattern is the result of the organising forces , of whose activity the observer is partially aware . The theory would seem to explain why in actual experience the dynamic , or expressive ...
... pattern of shape and colour in that this pattern is the result of the organising forces , of whose activity the observer is partially aware . The theory would seem to explain why in actual experience the dynamic , or expressive ...
Pagina 342
... pattern identical with a pattern we have observed in the demeanour of proud per- sons . When Milton calls the nightingale " most musical , most melancholy , ' he does not necessarily mean to suggest either that the bird is unhappy or ...
... pattern identical with a pattern we have observed in the demeanour of proud per- sons . When Milton calls the nightingale " most musical , most melancholy , ' he does not necessarily mean to suggest either that the bird is unhappy or ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision