A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 70
Pagina 282
... patterns of sentience . At this point Professor Langer invokes a well - known theory of Gestalt psychology — that ... pattern of sense and a pattern of feeling . " The tonal structures we call ' music , ' " for example , " bear a close ...
... patterns of sentience . At this point Professor Langer invokes a well - known theory of Gestalt psychology — that ... pattern of sense and a pattern of feeling . " The tonal structures we call ' music , ' " for example , " bear a close ...
Pagina 285
... pattern of feeling . Osborne questions whether our moods really have such complicated patterns and whether these patterns , if they do exist , can be observed and compared with the patterns of esthetic objects . Instead , he seeks ...
... pattern of feeling . Osborne questions whether our moods really have such complicated patterns and whether these patterns , if they do exist , can be observed and compared with the patterns of esthetic objects . Instead , he seeks ...
Pagina 342
... patterns " dejected - looking " because they have a certain drooping , listless pattern of appearance which many people ( including myself ) often display in their posture and gesture when I believe them to be feeling dejected . As Kant ...
... patterns " dejected - looking " because they have a certain drooping , listless pattern of appearance which many people ( including myself ) often display in their posture and gesture when I believe them to be feeling dejected . As Kant ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision