A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 166
... perceived , cer- tainly not esthetically . A crowd of visitors steered through a picture - gallery , by a guide , with attention called here and there to some high point , does not perceive ; only by accident is there even interest in ...
... perceived , cer- tainly not esthetically . A crowd of visitors steered through a picture - gallery , by a guide , with attention called here and there to some high point , does not perceive ; only by accident is there even interest in ...
Pagina 400
... perceive any painting , but the attention must be focused on the perceived characteristics , not on the physical characteristics which make the perceived ones possible . Thus , we should concentrate on the color combinations in the ...
... perceive any painting , but the attention must be focused on the perceived characteristics , not on the physical characteristics which make the perceived ones possible . Thus , we should concentrate on the color combinations in the ...
Pagina 460
... perceived picture , for the quality of the perception includes colors and line movements and clouds and hills and city walls and these require the action of a spectator in the situation before they can appear . Similarly the quality of ...
... perceived picture , for the quality of the perception includes colors and line movements and clouds and hills and city walls and these require the action of a spectator in the situation before they can appear . Similarly the quality of ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision