A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 66
... perception of the given time and society . And this religious perception is always clearly expressed by a few advanced men and more or less vividly perceived by members of the society generally . Such a religious perception and its ...
... perception of the given time and society . And this religious perception is always clearly expressed by a few advanced men and more or less vividly perceived by members of the society generally . Such a religious perception and its ...
Pagina 67
... perceive to Leo Tolstoy Relgious livention respond to denylyson does 67 لام ميا من السياسة السم الملايين بسم الله ان الأمانيها mitted feelings making religious perception operative in actual life . And d such art has always been highly ...
... perceive to Leo Tolstoy Relgious livention respond to denylyson does 67 لام ميا من السياسة السم الملايين بسم الله ان الأمانيها mitted feelings making religious perception operative in actual life . And d such art has always been highly ...
Pagina 165
... perception but recognition . The difference between the two is immense . Recognition is perception arrested before it has a chance to develop freely . In recognition there is a beginning of an act of perception . But this beginning is ...
... perception but recognition . The difference between the two is immense . Recognition is perception arrested before it has a chance to develop freely . In recognition there is a beginning of an act of perception . But this beginning is ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision