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Pagina 230
Every one sometimes uses "beauty" in an unesthetic sense; most people
habitually do so. To every one, except perhaps here and there an occasional
esthete, the commonest sense of the word is unesthetic. Of its grosser abuse,
patent in our ...
Every one sometimes uses "beauty" in an unesthetic sense; most people
habitually do so. To every one, except perhaps here and there an occasional
esthete, the commonest sense of the word is unesthetic. Of its grosser abuse,
patent in our ...
Pagina 447
But perhaps there are no genuine classes of aesthetic objects, such as poems
and paintings (this seems to be the extreme neo-Crocean view) — or perhaps the
members of each class differ so much from one another that no features can be ...
But perhaps there are no genuine classes of aesthetic objects, such as poems
and paintings (this seems to be the extreme neo-Crocean view) — or perhaps the
members of each class differ so much from one another that no features can be ...
Pagina 482
The nature of this contribution can best be shown, perhaps, by describing the
way in which the problem of machine design was first faced, then evaded, and
finally solved. One of the first products of the machine was the machine itself. As
in the ...
The nature of this contribution can best be shown, perhaps, by describing the
way in which the problem of machine design was first faced, then evaded, and
finally solved. One of the first products of the machine was the machine itself. As
in the ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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A Question of Balance: Charles Seeger's Philosophy of Music Taylor Aitken Greer Anteprima limitata - 1998 |
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 4, illustrata |
| Editore | Holt, Rinehart and Winston, 1973 |
| ISBN | 0030017564, 9780030017568 |
| Lunghezza | 568 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |