A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 230
... Perhaps there is none ; for perhaps they have never had an esthetic emotion to confuse with their other emotions . The art that they call " beauti- ful " is generally closely related to the women . A beautiful picture is a photo- graph ...
... Perhaps there is none ; for perhaps they have never had an esthetic emotion to confuse with their other emotions . The art that they call " beauti- ful " is generally closely related to the women . A beautiful picture is a photo- graph ...
Pagina 350
... perhaps , more precisely , of the significance of their meanings . It is not an enhancement which can be de- fined by abstract analysis and measurement . But the inability to define in abstract terms does not mean , contrary to notions ...
... perhaps , more precisely , of the significance of their meanings . It is not an enhancement which can be de- fined by abstract analysis and measurement . But the inability to define in abstract terms does not mean , contrary to notions ...
Pagina 447
... perhaps there are no genuine classes of aesthetic objects , such as poems and paintings ( this seems to be the extreme neo - Crocean view ) or perhaps the members of each class differ so much from one another that no features can be ...
... perhaps there are no genuine classes of aesthetic objects , such as poems and paintings ( this seems to be the extreme neo - Crocean view ) or perhaps the members of each class differ so much from one another that no features can be ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision