A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 76
Pagina 70
... person is expressing sadness must be clearly distinguished . If a person who is sad manifests the fact at all in his behavior , the behavior that manifests it consists of such things as groans , or sighs , or a dejected posture or ...
... person is expressing sadness must be clearly distinguished . If a person who is sad manifests the fact at all in his behavior , the behavior that manifests it consists of such things as groans , or sighs , or a dejected posture or ...
Pagina 98
... person who shuts himself up in the limits of a narrow coterie has an experience which includes the emotions of the larger world in which he was born and bred , as well as those of the little society he has chosen to join . If he decides ...
... person who shuts himself up in the limits of a narrow coterie has an experience which includes the emotions of the larger world in which he was born and bred , as well as those of the little society he has chosen to join . If he decides ...
Pagina 332
... person , and we didn't learn anything more when we tried to express the qualitative and inexpressible nuances of lived anger . To create a psychology of anger is to try to ascertain the meaning of anger , to ask oneself how it functions ...
... person , and we didn't learn anything more when we tried to express the qualitative and inexpressible nuances of lived anger . To create a psychology of anger is to try to ascertain the meaning of anger , to ask oneself how it functions ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision