A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 128
... phantasies at times as long as they live . This is a fact which has been overlooked for a long time , and its importance has therefore not been properly appreciated . The phantasies of human beings are less easy to observe than the play ...
... phantasies at times as long as they live . This is a fact which has been overlooked for a long time , and its importance has therefore not been properly appreciated . The phantasies of human beings are less easy to observe than the play ...
Pagina 130
... phantasies are also the first preliminary stage in the mind of the symptoms of illness of which our patients complain . A broad bypath here branches off into pathology . I cannot pass over the relation of phantasies to dreams . Our ...
... phantasies are also the first preliminary stage in the mind of the symptoms of illness of which our patients complain . A broad bypath here branches off into pathology . I cannot pass over the relation of phantasies to dreams . Our ...
Pagina 132
... phantasies of whole nations— the age - long dreams of young humanity . You will say that , although writers came first in the title of this paper , I have told you far less about them than about phantasy . I am aware of that , and will ...
... phantasies of whole nations— the age - long dreams of young humanity . You will say that , although writers came first in the title of this paper , I have told you far less about them than about phantasy . I am aware of that , and will ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision